MUSEUM OF ORIENTAL ART – TRIESTE

At the beginning of Cavana, the Museum of Oriental Art is housed in a historic 18th century building, the Palazzetto Leo, which dates back to 1747 and built by the architect Giovanni Fusconi.
The Leos had settled in Trieste in 1155 and in the 1600s they became barons of the Holy Roman Empire. Between 1772 and 1773 it hosted Giacomo Casanova. Pietro Leo de Loewensberg died in 1814 and the family became extinct. At the beginning of the 20th century, Count Laval Nugent, heir to Baron de Zanchi, already owner of the second and third floors, bought the whole building and in 1954 it was donated to the Municipality of Trieste.
The Museum of Oriental Art was inaugurated on March 8, 2001 and houses collections of oriental art, travel memories, weapons, musical instruments and various kinds of artifacts from all over the Asian area, in particular the story of relations between Trieste and the East through the Suez Canal started in the 18th century, the interesting nucleus of Gandhara sculptures, embroidered Chinese silk fabrics,
porcelain from the Song period,

sculptures and objects related to Confucianism, Taoism and Buddhism,
Japanese porcelain, collection of Ukiyo-e prints, works by great masters of Japanese art including Hiroshige and Hokusai with the famous Wave.

MORPURGO MUSEUM – TRIESTE

It is the apartment of a rich family of the Trieste entrepreneurial bourgeoisie of the 1800s who collected works of art and precious furnishings with refined taste.
The house represents a wonderful example of the princely style and opulence that characterized the families of the Trieste upper middle class.
In 1870 the sisters Emma and Fanny Mondolfo, married to the Morpurgo brothers, bought the building with number 839, now via Imbriani 5, and the adjacent one number 840, now via Mazzini 42. These ancient buildings were demolished, in 1875 the architect Giovanni Berlam designed a palace of elegant and sober neo-Renaissance forms. Giacomo and Fanny Morpurgo with their children Mario and Matilde,
in 1878, went to occupy the apartment located on the entire second floor, while Carlo Marco and Emma Morpurgo chose the one corresponding to the first floor
On Emma’s death the house passed entirely to her sister, who in 1938 made a deed of donation in favor of the children. Upon their death, both left their respective properties to the Municipality of Trieste. Mario Morpurgo in his will, drawn up in 1941, assigned the Municipality of Trieste as the heir of all its substance, in addition to the art collections, all the furniture and furnishings and all his assets were destined to create an intangible fund with the name Mario Morpurgo de Nilma. The still existing foundation aims to help needy people, with preference for those who have fallen, born and resident in Trieste.
The apartment on the second floor, with its furniture almost intact, became the Morpurgo Civic Museum and the one on the first floor was in 1950 used as a Museum of the Risorgimento and that of the History of the Homeland. A precious collection of eighteenth-century majolica,
vases from Savona, majolica from Faenza and Castelli l’Abruzzo, Japanese tableware, Bohemian glass and complete table sets in French Pillivuit porcelain with monogram, woodcuts and engravings by great artists such as Jacques Callot, Gérard Edelink, Pierre Drevet, Giandomenico Tiepolo, Francesco Bartolozzi, Jean Balvay, Max Klinger and Félix Vallotton and the gallery of sixty pictures, drawings and paintings
among these the oldest ones executed by artists from Luca Giordano’s circle, make the visit an experience unique life of a bourgeois family of the 1800s

PALAZZO TERGESTEO -TRIESTE

Palazzo Tergesteo is a few steps from Piazza Borsa and Piazza Unità. Palazzo Tergesteo was built on the site of the Dogana Vecchia on the initiative of a group of shareholders, the “Società del Tergesteo”.
It was built in just two years on a project by the architect Francesco Bruyne and inaugurated on the evening of August 24, 1842. It cost about two million Austrian lire and was one of the last palaces in Trieste built in the neoclassical style. The building is spread over four floors above ground in addition to the ground floor and mezzanine and consists of four buildings separated by a gallery, located on the ground floor,
in the shape of a Greek cross and inspired by the Galleria de Cristoforis in Milan, covered gabled with metal frame.
The entrances to the building are located on the four sides of the building: there are four entrances to the gallery, two mirrored places, one main on Piazza della Borsa, and one on Piazza Verdi, and two others on via del Teatro and via Einaudi.

The two marble sculptural groups that dominate the main facades were added later. The one on the facade facing Piazza della Borsa, by Pietro Zandomeneghi, depicts the goddess of the sea Tethys, standing on a shell pulled by four horses and holding a baby in her arms and on the right Mercury, god of commerce. The sculpture represents the city of Trieste driven by the fortunes that come from the sea, but also from trade and the nascent industry.
The second sculptural group on the rear facade towards the Verdi Theater, by Antonio Bianchi, represents Neptune and Mercury with allegories of geography and history.
Il palazzo fu sede della Borsa triestina dal 1844 al 1928 e del Lloyd Austriaco dal 1857 al 1883 e divenne il luogo più rappresentativo di commercio e di ritrovo della Trieste ottocentesca.
Many famous people frequent the Tergesteo including the Trieste writer Italo Svevo, who used the gallery as a background for his novel, “Zeno’s Consciousness”.
During the Second World War and the years of the occupation the Palace suffered numerous damages and in 1957 the architect Alessandro Psacaropulo intervened on the gallery, replacing the original sloping roof with a glass-concrete structure. In 2009, careful restoration work brought the Tergesteo Palace back to the splendor of the Habsburg era and the heart of the intervention was the reconstruction of the Gallery in its original nineteenth-century version.
Inside the Gallery, an original wall clock, not working, marks the time and day when the deed of incorporation of the Tergesteo Joint-Stock Company was signed and from 1863.
Towards Piazza Verdi there was Caffè Tergesteo, one of the historic cafes of Trieste, characterized by stained glass windows depicting episodes from Trieste’s history, a meeting place for the cultural elite of the time and also very popular with the Trieste poet Umberto Saba. “Caffè Tergesteo … you reconcile the Italian and the Slavic, late at night, along your billiard table”.

DUINO CASTLE – TRIESTE

Duino Castle is located in the municipality of Duino-Aurisina, a few kilometers from Trieste. In 1389, to replace the Castelvecchio dating back to the 10th century still visible on the spur of the rock overlooking the sea, Ugone di Duino, captain of Trieste, ordered the construction of a Castle which was built on the ruins of a Roman outpost incorporating a tower of the 16th century.

Owned for over 420 years by the Della Torre di Valsassina family first and then by the princes della Torre and Tasso, the history of the family is linked to the management of postal services which was exercised by the family, from 1400 onwards, for more than 350 years. in several European countries, including Italy, Austria, Germany, Hungary and the Netherlands.

The Castle during the First World War suffered extensive damage and was largely rebuilt. Since 1600, many important personalities both in the political and artistic worlds have been hosted in the castle of the princes including: Gabriele D’Annunzio, Franz Listz, Paul Valery, the empress Sissi and the archduke Francesco Ferdinando.

The Prague poet Reiner Maria Rilke, in a period of his life, was a guest of Princess Maria della Torre and Tasso to whom he dedicated the “Duino Elegies” that had been conceived and started during the long walks that the poet used to take around the Castle . In homage to the poet it was inaugurated in 1987 ”

The Rilke path “, a 2-kilometer panoramic walk at the edge of the karst ridge overlooking the sea that connects the towns of Duino and Sistiana. During the route there are some war posts open to the sea. From the manor you can enjoy a wonderful view on the steep rocky walls overlooking the sea.

The Castle has a magnificent park with 21,000 flowers in regular rotation. romantic avenues full of statues and archaeological finds,

and from the wonderful terraces and from the terraces you can enjoy a wonderful view of the sea.

The Castle during the First World War suffered extensive damage and was largely rebuilt. Under the park of the Castle, at a depth of 18 meters, there is a bunker built during the Second World War in the rock. Today it can be visited and has been transformed into a mini-museum with period relics exhibited in a large room of 400 square meters.